TRENDING: A CATASTROPHIC TURNING POINT

The arrest of Delhi's Chief Minister and AAP leader, Arvind Kejriwal, represents a catastrophic turning point for the ruling Right-Wing governm...

TRENDING: POTENT MIX OF RELIGION, POLITICS, MEDIA

Maintaining a clear separation between religion and politics, and sustaining a media free of pressure, is essential for pluralism, democracy, a...

MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

BUSINESS: SPEAK MEMORY!

Monojit Lahiri dumps Bollywood and flashbacks into his life and times in the world of advertising.

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GENDER: ZERO TOLERANCE TOWARDS SEXUAL HARASSMENT

Vinta Nanda in a conversation with General Secretary of CINTAA about what it takes to have zero tolerance for sexual harassmen...

INDEPENDENT FILM: THE STORY OF A YOUNG BOY IN KASHMIR

In conflict-ravaged Kashmir, Adnan, a young boy from a lower middle-class family, stretches himself beyond limits to earn a smile on his blind ...

ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...